Program: Anoushka Shankar

ANOUSHKA SHANKAR Sunday, October 8, 2023
Berklee Performance Center

Anoushka Shankar: Sitar
Arun Ghosh: Clarinet 
Sarathy Korwar: Drums
Pirashanna Thevarajah: Carnatic percussion
Tom Farmer: Bass

Anoushka Shankar brings to North America a lineup of musicians, strong soloists in their own right, with whom she has carved out a new, multifaceted, and dynamic sound as they perform music from her newly released mini-album alongside thoroughly reinterpreted gems from her previous releases, including last year’s Grammy-nominated live album, Between Us. . . .  

Premiered for the first time in India in December 2022, the group has been hailed as one of the best ensembles to have toured with Anoushka in her 28-year global performing career. The energy and camaraderie on stage are unmatched as Shankar leads the way in pioneering a new sound through inventive arrangements, sensitive virtuosity, and a neoclassical approach to the music tradition to which she belongs. 

Anoushka Shankar 

To read a list of Anoushka Shankar’s accomplishments is to read many life stories in one: masterful sitarist; film composer; impassioned activist; the youngest and first female recipient of a British House of Commons Shield; the first Indian musician to perform live or to serve as presenter at the Grammy Awards with nine nominations under her belt, and the first Indian woman to be nominated; one of the first five female composers to have been added onto the UK A-level music syllabus. Immersed from a young age on the world stage, with over a quarter-century’s performing behind her, she is a singular, genre-defying artist across realms—classical and contemporary, acoustic and electronic. 

The Shankar house, a respite from a world where she grew up under the public’s intense gaze, was seldom a silent place. Musicians were a permanent presence—learning, rehearsing, improvising, or simply playing musical games around the dinner table. Anoushka began studying the sitar—and Indian classical music—from the age of nine under the intensive tutelage of her father, Pandit Ravi Shankar: a master of the instrument and a figure without whom 20th century music would quite simply not have been what it was. After making her professional debut at 13, she began touring worldwide alongside her father and then embarked on a successful touring career when she was 18, becoming known for her virtuosic yet emotional playing style, unusual instrumentation, and precise rhythmic interplay. Having discovered electronic music as a teenager before later immersing herself in the Goan psychedelic trance scene, she found parallels with the meditative, introspective qualities of Indian classical music in the ecstatic release of the dance floor: using different colors to paint the same picture. 

Having released three classical albums for Angel Records EMI and performed at venues such as Carnegie Hall and the Barbican multiple times by the age of 25, her switch to earthy ambience and deep textures on 2005’s Rise was fueled by a desire “to create music that more fully represents who I am.” 

Self-composed and -produced and infused with electronics created alongside Gaurav Raina of the MIDIval Punditz, Rise “was a way to speak the language of my own history: growing up across three continents with one foot in the past and one in the present.” 

Earning her a second Grammy nomination, this cinematic album formed the blueprint for her intensive solo career. Notions of physical and sonic space are inverted; instruments flow into each other like merging streams; disparate systems of tuning, scale, and instrumentation are made to sound as if they were always meant to coexist. Her follow-up album, Breathing Underwater, created in collaboration with multi-instrumentalist Karsh Kale, envisioned a sonic world where ragas, bright analog soundscapes, contemplative electronics, and guest turns by Ravi Shankar, Sting, and Anoushka’s half-sister Norah Jones, could all slot next to each other without seeming an inch out of place. 

Anoushka Shankar’s signing to Deutsche Grammophon in 2011 marked the start of a decade of unbridled fertility. Over the course of four distinct albums, each Grammy-nominated, disparate threads were woven into a tapestry, even as themes shifted and sound palettes expanded. Deep meditations of love and loss on the Nitin Sawhney–produced Traces of You nestled against a quietly triumphant return to pure raga improvisations on Home; the historical relationship between Indian classical music and Spanish flamenco was explored on the Javier Limón–produced Traveller while the current global refugee crisis informed the rallying cry of Land of Gold. Cowritten with frequent collaborator and handpan exponent Manu Delago and featuring M.I.A., Vanessa Redgrave, and Alev Lenz, Land of Gold crystallized Anoushka’s sound: a de-exotified, high-definition sitar resonating across unpredictable, genre-resistant instrumentation. Alev Lenz’s hypnotic presence is also felt on Love Letters—Anoushka’s most recent release, existing in its own universe. The coproduced EP contains startingly beautiful turns by Ibeyi, Shilpa Rao, and Ayanna Witter-Johnson and distills the raw emotions of each note, showcasing an artist who is increasingly comfortable with being vulnerable. 

In a world market designed more for the solo auteur, those who grow up with an impulsive and collective music-making process may often find themselves at loose ends. Anoushka’s environment entrenched a liquid approach to composition and performance—letting the creative process itself provide clarity and lighting the path ahead with the sparks of connection that develop. A love of that connection has drawn her to collaborate with diverse artists including Herbie Hancock, Patti Smith, Joshua Bell, Gold Panda, Rodrigo y Gabriela, Jules Buckley, and His Holiness the Dalai Lama. Her touring career has taken her from legendary jazz cafes to iconic symphony halls and festival stages in front of 40,000 people, and her versatility transforms each of these locations into an intimate experience for all listening. That versatility comes out of years spent building the confidence to be artistically truthful and to connect to her audience from the heart. 

Anoushka Shankar’s foray into composing for film gave rise to what she considers her most challenging piece of work: scoring the British Film Institute’s restoration of Shiraz, one of the first major Indian silent feature films, and performing it live at screenings. The flexibility of live performance is tethered by the technical exactitude of film, and the heavy weights of the histories and cultures being showcased, but also the ability to subvert audience expectations and not give in to any obvious signifiers. Her recent work co-composing the score to Mira Nair’s A Suitable Boy is a sonic portrait of post-partition India, showcasing how she can flit between the decades effortlessly while not compromising artistic integrity.  

As her music speaks to timeless pasts and urgent futures, so she is just as tireless in her activism work. She has been outspoken about her experiences as a woman and a survivor of child abuse, throwing her weight behind campaigns such as One Billion Rising. She frequently works with organizations such as the UNHCR and Help Refugees to raise funds and awareness for the refugee crisis. In 2020 she was named the inaugural president of the F-List: a UK database created to help bridge the gender gap in music, and as an ambassador for The Walk: an international artistic project in support of refugees. 

All of this speaks to a rare breed of artist: one who can balance many lives in one, each seeming as natural as the next. Her tempests of sound present ancient instruments in modern lights, not as exotic set pieces, but as living, breathing, and wildly expressive, full-bodied gifts to this world. Every note played comes from the soul, “playing to connect to the innermost part of my myself and hopefully the listener, evoking empathy or a feeling of hope . . . you have to believe you might make a difference in order to bother trying.” 

Pirashanna Thevarajah 

Pirashanna Thevarajah is the senior disciple of Vidwan Sri M. Balachandar and is recognized by the world music and Indian classical communities as an extremely versatile percussionist with great command over various instruments, especially mridangam, kanjira, ghatam, and morsing, and equally versed in the art of konnakol (Indian spoken rhythm). He has performed in some of the world’s most famous venues including the Royal Albert Hall, Carnegie Hall, and the Hollywood Bowl. 

Sarathy Korwar 

Sarathy Korwar is a drummer, composer, and producer raised in India and based in London. Korwar has established himself as one of the most original and compelling voices in the UK jazz scene. His music fuses jazz, electronics, Indian folk, and classical influences with a focus on decoloniality, community, race, and transcendence. His latest album, Kalak, is an Indo-futurist manifesto that celebrates a rich South Asian culture of music and literature and urges a cure for historical amnesia. The Guardian placed it at number two in their Best Global Albums of 2022. In 2023, Kalak won the Songlines award for best album (Asia/Pacific). 

Tom Farmer 

Tom Farmer is a busy member of the British music scene, with award-winning quartet Empirical and many other ensembles and projects. Farmer started his musical career as a pianist and electric bass player before focusing on double bass in 2002, at the Guildhall School of Music and Drama, graduating with a bachelor of music with honors in 2006. With Empirical, Farmer won multiple awards including MOBO Best Jazz Act 2010.  He tours with Empirical extensively in the UK, Europe, and North America. The group was named the 2011–2012 Golubovich Jazz Scholars at Trinity Laban Conservatoire of Music and Dance and the 2019 Artists in Residence at Wiltshire Music Centre. With the group, he co-conceived and realized the UK’s first Pop-Up Jazz Lounge, and with the support of Arts Council England has delivered the project six times in the UK and Berlin. 

Arun Ghosh 

Arun Ghosh is a British-Asian clarinetist, bandleader, and composer. Twice awarded Jazz Instrumentalist of the Year at the Parliamentary Jazz Awards, Ghosh leads his own ensembles, touring nationally and internationally. He has released five albums on Camoci Records: Northern Namaste, Primal Odyssey, A South Asian Suite, But Where Are You Really From?, and Seclused in Light. 

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